The
Soul of Southern Film - 10/3/2002
"The Indie Memphis Film Festival changes venues
while trying to keep its momentum."
Chris Herrington
(excerpt)
The
three local features being shown in competition
are clearly novice works but are not without interest.
The most slickly accomplished of the lot is probably
The Path Of Fear (9:30 p.m. Thursday), a promising
effort from young East Memphis filmmakers Brad Ellis
and Joey Watson. The film, which opens with an Edgar
Allen Poe line -- "Is all that we see or seem/But
a dream within a dream?" -- is basically a
psychological horror film. When a psychology professor
says to his class, "No, people, think deeper.
This isn't some slasher film," he doubles as
filmmaker speaking to audience, and though the line
may be presumptuous, it isn't far from the truth.
The Path Of Fear features solid performances from
its three young lead actresses (Marie-Claire Hardy,
Julianne Dowler, and Natalie Jones), all University
of Memphis students, and conveys a nice feel for
its high-school-to-college milieu. Local musicians
Wil DeShazo and Jared Rawlinson of the band Dora
offer a fine, atmospheric score.
The
lengthy, ambitious Someday Central (7:30 p.m. Saturday),
directed by Brett Cantrell, who has screened short
films at previous Indie Memphis festivals, may be
a bit too personal for its own good (piling on about
five layers of eccentricity when two would suffice),
but it does an admirably convincing job of bringing
its not-quite-real world to life. The film also
inspires considerable sympathy for its protagonist,
a mute young man named Scarecrow Sullivan, who was
struck by lightning as a baby and has been similarly
unlucky ever since and who pines for his sister-in-law.
The
final local feature in competition is General Sessions
(12:30 p.m. Friday), a process-oriented, day-in-the-life
report on the workings of the Shelby County General
Sessions Court. The film, which follows two attorneys
-- one a veteran returning to the Public Defender's
office from private practice, the other fresh out
of law school -- has the feel of TV drama, following
its protagonists through a day in the system as
they juggle cases. But the film is oddly devoid
of any dramatic intrigue, resulting in an almost
documentary-style look that devotes too much screen
time to court procedures in which papers are shuffled
and people stand around but nothing interesting
happens.
Throughout
the festival, other local shorts will be shown,
as well as local films of all stripes, as part of
an out-of-competition local-film series that will
be conducted in the MPL Screening Room.